jeudi 25 juillet 2013

BEŞİKTAŞ – Des ruines archéologiques détruites au stade İnönü d'Istanbul

Plusieurs vestiges archéologiques, dont une ancienne voûte, ont été détruits hier au cours des travaux de démolition du stade İnönü, appartenant au club stambouliote de Beşiktaş, rapporte photos à l'appui le quotidien Radikal.
Le chantier, débuté le 2 juin, vise à remplacer ce stade inauguré en 1947 par une enceinte plus moderne. Selon Radikal, la Commission de protection du patrimoine culturel avait prévenu le 7 mai dernier que les travaux devraient être interrompus si des ruines étaient découvertes. Cet avertissement semble donc ne pas avoir été respecté.
Des archéologues ont pris des photos de ces ruines et ont rédigé un rapport qu'ils ont transmis au ministère de la Culture et du Tourisme, ainsi qu'à la Commission de protection du patrimoine culturel. Dans le même temps, les dirigeants du Musée archéologique d'Istanbul ont rappelé que les vestiges archéologiques devaient être préservés et que, par conséquent, les travaux devait être suspendus, conformément à la législation.
Quant au futur stade, son nom a été révélé hier: il s'agira du Vodafone Arena.
Jonathan Grimmer (http://www.lepetitjournal.com/Istanbul) jeudi 25 juillet 2013

mercredi 24 juillet 2013

The transformation and modernization of Istanbul

William Armstrong - william.armstrong@hdn.com.tr

‘The Emergence of Modern Istanbul: Transformation and Modernisation of a City’ by Murat Gül (I.B. Tauris, 2012, 40TL, pp 256)


Istanbul may be a great city, but the story of its urban planning history is not a happy one. For centuries, it has been a theater in which different regimes have struggled to display their political, ideological and social convictions – or lack thereof. This title by architectural and urban historian Murat Gül is a comprehensive and sometimes surprising overview of Istanbul’s spluttering modernization process from the late Ottoman period to the Adnan Menderes era in the mid-20th century. It doesn’t continue up to the present day, but its account of the political motivations that so often lie behind urban development feels particularly germane after the recent Gezi protests, which were sparked by outrage over the destruction of a central park in favor of yet another shopping mall.

The book begins in the 19th century, when attempts to reorganize the urban environment of the Ottoman capital were just one part of the wider initiative to modernize the whole empire on European models. Major urban planning proposals were hatched by various Western entrepreneurs in Istanbul throughout the century, attempting to solve problems related to population pressures, inadequate transportation, and lack of sanitary facilities. There were even extraordinary-sounding suggestions to bridge the European and Asian sides of the city as early as the 1870s, a whole 100 years before the first cross-Bosphorus Bridge was completed in 1973. While discussing these, Gül also introduces the late Ottoman progenitors of today’s intergalactic interest rate lobby: the Beyoğlu-dwelling Westerners who frequently refused to pay their taxes, thus hindering the municipal authorities’ attempts to improve the urban landscape.

Later on, the book mentions the little-known infrastructure works conducted in Istanbul by the Committee of Union and Progress (CUP) after the 1908 Young Turk revolution. However, following the collapse of the empire and the declaration of the republic in 1923, the city was almost entirely neglected by the authorities in favor of the newly designated capital, Ankara, where the new regime could most clearly express its break from the past in the language of urban form. Spending on public resources in Istanbul was redirected to the development of Ankara and other Anatolian cities, while new architectural tendencies also passed Istanbul by – largely because no public buildings of note were being constructed there. Atatürk himself conspicuously snubbed the city, not officially visiting the old Ottoman capital until 1927.

Still, despite the lack of sympathy from the republican authorities, Istanbul was too important to be neglected for long. In 1936, Frenchman Henri Prost was commissioned to produce a new master plan for its regeneration, based on his previous experience of introducing Western urban principles to Islamic cities in North Africa. In Prost’s plan, Istanbul’s major monuments would be untouched and even opened out, but most residential areas would be demolished and replaced by modern housing blocks designed on rational, “hygienic” principles. Interestingly enough, as part of the Prost plan, the Ottoman barracks building next to Taksim Square, which current Prime Minister Recep Tayyip Erdoğan is so keen on reconstructing as a shopping mall, was demolished and replaced by Gezi Park. In the end, however, most of the ideas set out by Prost didn’t materialize due to economic conditions and technical deficiencies, and he was finally decommissioned in 1950.

Another reason for Prost’s failure was his inability to foresee the mass migration that started to hit Istanbul after the Second World War, which had to be dealt with by the Democrat Party that was in power from 1950 until the 1960 military coup. The party was led by Adnan Menderes, who is described by Gül as “without doubt, the most controversial figure in the story of Istanbul’s transformation into a modern metropolis.” The second half of his time in office saw the destruction of much of Istanbul’s historical character, the large-scale expropriation of properties for demolition, and the development of gigantic boulevards for mass transportation. Menderes himself proudly described this work as the “second conquest of Istanbul,” after the Ottoman conquest of 1453, but much of it was conducted in a way often portrayed as unaccountable and corrupt. He is today considered by many modern critics as the individual solely responsible for much of the destruction of Istanbul’s architectural and cultural heritage, cynically using rapacious urban redevelopment to camouflage deficiencies in his government’s economic management.

The charge sheet is clear, but Gül presents us with a rare apologia for Menderes. His book seeks to reappraise the former prime minister in his wider historical context, highlighting the particular circumstances that determined policy at the time. “Any political leader during the early postwar period who faced the special circumstances and problems of the time and who had access to foreign economic aid would have responded to these problems in much the same way as Menderes did,” Gül suggests.

Of course, the parallels between Menderes and Erdoğan – not only in terms of their urban policies – are well known. Still, it’s a fact that the Turkish capital has actually experienced painful recurring motifs in its uneven development process for much of the past 200 years. Although it is undeniably thrilling, Istanbul remains somewhat tortuous to live in.

Names of God works in contemporary art

ISTANBUL - Anadolu Agency

Art works feature a combination of contemporary with Esma ül-Hüsna. AA photo
Art works feature a combination of contemporary with Esma ül-Hüsna. AA photo
One of the first contemporary exhibitions of art devoted to the 99 names of God (Esma ül-Hüsna) will open today at Yıldız Palace with works by Fatma Zeynep Çelik.

Curated by Ali Serim, Çilek’s works feature a combination of contemporary art with Esma ül-Hüsna drawings.

There will be total of 33 works at the exhibition, according to a written statement from the palace. There will be also a digital art exhibition of Çelik’s works at ottomansanat.com.

Çilek said the name of the exhibition was “Huu,” adding that she had tried to create a new take on Esma ül-Hüsna. “Until now everyone has reflected the names of God in calligraphy.
July/24/2013

27 juillet à Istanbul: La DESCARGA en concert

Soirée salsa latin jazz
Thématique Concerts
Date de debut 2013.07.27 22h00
Date de fin 2013.07.27 01h30
Intro "LA DESCARGA" est actuellement l'un des meilleurs groupes salsa latin jazz world en Turquie, avec comme soliste Gülseren et comme musicien-chef d'orchestre Luis E. Gomez.
Description Le répertoire oscille entre tradition et modernité, un mélange éclectique et nostalgique...Chants en français, espagnol, portugais, turc, allant du Dizzy Gillespie a Tito Puente en passant par Jacques Brel, Lara Fabian, Elis Regina, Michael Jackson, James Brown... Mais aussi des compositions sur des rythmes de la cumbia, merengue, salsa, fado, rumba, mambo, afro cuban, cha cha, flamenco, orientale. Bref, tout y est !
Contact
Adresse Nardis Jazz Club
Bereketzade Mh., 34420 Beyoglu
Istanbul, Turquie
Lien http://nardisjazz.com/
Posté par JG

Les centres commerciaux d'Istanbul à l'amende

TROIS PREMIÈRES HEURES GRATUITES – La mairie punit les parkings des centres commerciaux d’Istanbul

La Municipalité du Grand Istanbul a récemment condamné à des amendes 32 centres commerciaux de la mégapole. Ils avaient enfreint la règle qui impose que les trois premières heures de stationnement soient gratuites pour les visiteurs. Parmi les centres visés figurent Akmerkez, Cevahir, Kanyon ou encore Metrocity. Le total des amendes représente 435.807 livres turques (environ 173.000 euros) sur ces dix derniers mois, rapporte le quotidien Hürriyet.
Le journal révèle encore qu'en septembre dernier, un responsable de la police stambouliote avait constaté qu'un centre commercial situé à Şişli ne respectait pas cette règle imposée tant par le Centre de coordination des transports (UKOME) que par une décision du Conseil de l’Etat. Au total, 786 plaintes similaires auraient été déposées auprès de la mairie d'Istanbul.
Elisa Girard (www.lepetitjournal.com/istanbul) mercredi 24 juillet 2013

715 GARDES À VUE – Le premier bilan judiciaire des manifestations en Turquie

Les manifestations qui ont agité les alentours de la place Taksim ces dernières semaines ont conduit au placement en garde à vue de 715 personnes, a annoncé hier dans un communiqué le procureur de la République d'Istanbul. Le parquet a requis la détention provisoire de 179 d'entre elles, présentées à un tribunal. Suite à ces comparutions, 41 personnes ont effectivement été incarcérées. Dix ont ensuite été relâchées quand 57 autres personnes ont été laissées en liberté à condition de se soumettre à un contrôle judiciaire.

Le procureur de la République d'Istanbul ajoute que 110 enquêtes ont été ouvertes à l'encontre de propos diffusés par voie de presse ou sur les réseaux sociaux. “Une large majorité de ces enquêtes concerne des insultes à l'égard des plus hauts personnages de l'Etat”, précise le communiqué. L'agence de presse Anatolie rapporte aussi que les avocats du Premier ministre turc ont déposé des plaintes contre de faux comptes Twitter ouverts au nom de Recep Tayyip Erdoğan.
Les médias turcs ont également relayé hier une série d'avertissements du ministre de l'Intérieur, Muammer Güler, à l'adresse des forces de l'ordre. D'après une circulaire envoyée aux préfets des 81 provinces de Turquie, les policiers sont ainsi priés de ne pas tirer de gaz lacrymogènes à moins de 40 mètres des manifestants, de ne pas viser d'individu en particulier et de s'assurer qu'un enregistrement vidéo de chaque intervention est effectué. Le ministre leur demande également d'empêcher des tierces personnes d'agresser les manifestants à l'aide de machettes et autres bâtons, en réponse à la multiplication de ce genre d'incidents ces derniers jours.
Anne Andlauer (www.lepetitjournal.com/istanbul) mercredi 24 juillet 2013

mardi 23 juillet 2013

Turkish policeman fined for voluntarily escorting Paris HiltonParis

ISTANBUL - Hürriyet

REUTERS Photo
REUTERS Photo
An investigation into two police officers who voluntarily escorted U.S. celebrity Paris Hilton without an official order when she was in Turkey last year has been completed. One of the officers has been handed a warning fine, while no legal action has been ruled for the other investigated officer.

When Paris Hilton was in Istanbul for a commercial shoot last October, two motorcycle policemen voluntarily escorted her car to a TV studio, before waiting outside the building during the show. Later, they accompanied her from the studio to the hotel.

An investigation was launched by the Istanbul Police Department when the incident was revealed.

In the investigation, the two officers reportedly said they had decided to voluntarily escort Hilton in order to reflect Turkey’s image well.

The disciplinary committee fined one of the officers on charges of acting against instructions.

Paris Hilton was in Istanbul to appear in a clothing brand’s advertising campaign with Turkish football star Arda Turan.